New Necklaces

During my recent block of studio time I got to work on those clay pieces I blogged about a month or so ago. 

I glued bails (the looped hangers) to the backs of the ceramic drawings with epoxy that is strong enough to suspend an elephant from a chandelier.  I threaded the bail with a silken cord and created my own sterling silver wire wrapped clasp.  I was so worried that the wire wouldn’t hold the cord firmly, but it does!  I can tug on the cord with all my strength and it doesn’t budge.  I completed 14 necklaces and then ran out of wire.  Doh!  This week I’ll order more.  

I’m really happy with how these are turning out and plan to start molding more clay shapes this week for future pendants.  At some point, they will be available in my Etsy shop.  I'll let you know!

 

March Madness

I didn’t blog at all in March.  Ooops!  I guess I should explain my absence. 

March was a tough month.  It started with needing to devote extra time to teaching (not that this was bad; the work was fun, creative, and rewarding).  Then I’ve been sick for about three weeks.  The cold/flu thing that seems to be going around and doesn’t want to go away.  I still have it, but am feeling better. 

For the reasons mentioned above I spent little time in the studio, which resulted in little to blog about.  As my to-do list got longer and longer, my momentum slowed to a snail’s pace.  Ah, but this is par for the course of being an artist. 

As I was filling out my timesheet for my paid job, the little light bulb above my head went on.  Why not fill out a timesheet for my studio work?  I like the idea of keeping track and holding myself accountable.  Also, this way I can gauge my productivity.  The rules are that in order for the studio hours to count, I need to be doing something to further my creativity, career, or business.  As I blog, I’m on the clock.  Checking my e-mail, surfing the web, or messing around on Facebook does not count unless it directly relates to promoting my art.  The other rule is that I need to complete at least one hour of work in the studio per day.  If I miss a day, I have to make it up within a week.

But the timesheet wasn’t enough.  I needed some sort of reward for my time.  After asking for suggestions from friends on Facebook, I went with cash.  I get paid $1 for every hour of studio work.  Yeah, I’m underpaid.  The beauty is that those dollars can add up.  The more I work, the more money I make.  I could use it to buy art supplies, treats, or clothes, but I needed a more compelling goal.  Of course, I knew immediately what that was: Mendocino. 

I love the Mendocino/Fort Bragg area of California.  I’d move there in a second if I could.  There is something about that wild and wooly coast; it reflects my inner wild and wooliness.  And I love the woods, the art community, the quaintness, the funkiness, the remoteness and quiet.  I am saving for a trip to Mendocino.  The trip will be completely justified, because I earned it.  I’ll go for quiet and inspiration.  I may even go alone, and make it a personal, spiritual, artist’s retreat.  But, I’m getting way ahead of myself.   If I don’t put in some serious studio time, it could be years before I can afford to go. 

I started clocking my hours on March 25^th.  I’ll pay myself monthly, so in March my earnings are $10.  That’s okay for starters, but I can do better.  And for Joe Q. Public out there; I won’t be keeping large amounts of cash in my house.  Once the money jar becomes more that I would carry in my wallet, it’s going in the bank.  I’ll leave an IOU note in the jar. 

Disclaimer:  I am full of motivation and inspiration to make art, the savings jar is just to get me over the hump between wanting to create and laying on the couch watching TV because I’m tired from working all day.  I’m excited.  It’s the little extra push I need.  I did great with my goal of getting my Etsy store up and running by a particular date, so this goal will be good for me.

In other news: during my month of "March Sickness" I started working on a clay commission for a friend.  I’ll share it with you later in the month when it is complete.  I finished the sculpting and the piece is currently drying.  It will be fired, glazed, and fired again.  She hasn’t seen it so I can’t share it yet.  It’s a surprise!  I also completed a commission of a wire wrapped beach stone pendant.  This friend found a beautiful piece of quartz on the beach and I wrapped it with sterling silver wire.  For some reason, I didn’t take a picture to share!  Finally, my paintings will be on display for another week at Studio Gallery on Polk Street as part of an Easter display in their front windows. 

Wow!  Look what happens when you don’t blog for a month.  I sure am chatty today.  I’ll be back to my 3x a month schedule, so stay tuned!

My Studio Door

Box of Memories

My Grandmother's charm bracelets.

To those who have collected jewelry all their life, a journey through the jewelry box is a trip back in time. 

My collection is like a photo album.  When I hold necklaces that belonged to my grandmothers I see their faces shining back at me.  My favorite pendants from childhood remind me of a particular age, outfit, holiday or feeling.  Some pieces are from my first trip to San Francisco, gifts from friends and former students, visits to street festivals, and special vacations.  My jewelry box also contains a record of different phases in my life; the 80’s, my rhinestone period (before "Bling"), the Goddess years, world culture hippie, and “small and delicate”.  I have a few necklaces I made when I was little and many I’ve made as an adult. 

For me, the value of a piece of jewelry is not its materials or artistry, but the story it tells.  This explains why I have so much trouble clearing away the clutter.  As long as I have space, and can keep it organized, I don’t mind.  Every so often I get rid of things because their sentimental value has slipped away and I know I’ll never wear it again.  But I don’t throw them out.  Necklaces and earrings get disassembled and added to my workshop to be repurposed into new wearable art.