Image, lit from the front |
I love Mendocino, California! Last February I was there for a short weekend trip and saw a few pieces by a fantastic artist exhibiting at the Mendocino Art Center. Now, I’m kicking myself for not writing down her name. (I need to find a very small, groovy notebook that I can carry everywhere I go.) Anyway, the artist had two very fine, detailed, organic drawings that I found unique and inspiring. The shapes looked like microscopic creatures. But what I really loved was a large tree created by tiny pinholes! The holes were so evenly spaced, it must have taken a long time to create. The image was a delicate, perforated leafless tree, white on white.
After thinking about this technique for months, and with my husband’s birthday a few days away, I decided to give it a go. I created a small birthday card by drawing with a tack. It wasn’t easy. I sketched the mushroom first, taped the sketch to the good paper, and commenced punching (with a cardboard backing). I started with a sewing needle and after a minute, my hand cramped up. I tried other pins with the same results. Finally, I tried using a large pushpin, which was much easier to hold. It worked for the most part. In some places my holes were too close together and the paper is very delicate. Overall I like the effect.
My next attempts will include paper that is colored on the back, so the holes will have a little hue to them. I’m also going to try using Styrofoam as a backing so I don’t have to put so much force into the punch. What does this mean in relation to my other work? I don’t know yet, maybe nothing. I love experimenting with new ideas. Perhaps I’ll do this lesson with my students one day, if I can invent a punch that doesn’t cramp the hand so badly.
"Every moment of light and dark is a miracle." - Walt Whitman
"Every moment of light and dark is a miracle." - Walt Whitman
Image, lit from behind |
Until then, may the muse be with you!
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